Young Poet: Millie Woodrow

Millie Woodrow is a writer of poetry and fiction from Salisbury, Wiltshire. She is presently studying Creative Writing at the University of Oxford. Her poetry has been published in Motherlore.

Burial

We buried his guns in the garden

a year after he’d been burnt

in his best jumper. Rifles

and a double-eyed shotgun,

sawn barrel, heavy cartridge, no licence.

A stock that lay cold against the heat

of his cheek, felt the misting of his breath.

A trigger that knew the quick kiss of his finger,

the death-flinch. Foxes, pigeons,

rabbits, rooks, scattered

in the ringing of my grandfather’s gun.

He shifts his weight forward, sinks a crow,

retakes his aim. Reopens his right eye

when a kite drifts through the slaughter,

like a ghost. Shivers in the wind.

He watches till it’s flown.

He shot at what he shouldn’t, pushed warm bodies

deep into warrens – seagulls, racing pigeons.

He licked his lips and tasted

tobacco and liquorice. I’ve seen

his blue eyes harrowing memories,

known the affectionate touch

of his neck-wringing hands.

But he knew there was a weight in death

heavier than the fall of red feathers.

We pick a spot by the ditch

by the dog bones, cat bones,

grass cuttings sodden and rotting,

a ditchful of water running cold and clear,

a passing witness. I sink

his spade in the soil, funereal.

We fill in where we’ve been, leave his violence

to the ground. My mother rolls a cigarette,

watches the circling kites

while I sow grass to hide our crime.

I dread to think, she says, then stops.

Venus in the Forest

Below the high hill

that splits the valley wind,

night opens in the elm grove,

the wild garlic breathing.

Old England once, so Hardy says

scorched to the chalk,

iron fires, funerals,

smoke rising in roots–

like ghost trees waving their pale limbs.

We’re building a den in the forest

rotten elm boughs, slim firs

come down with a crack.

When the fires in the village

Ignite, one by one,

there I’ll cup the last of the light

in my face for him to taste.

I’ll give my orphan body

to the suckling ground, like water.

A vast giving love

that swells new

every season.

After Equinox

When the ditches burst black water,

go splashing.

Fling the old songs skyward,

chase rabbits, break their necks,

flush rooks from their nests in the flue,

black smoke writhing on the wind

bending and beating.

Hang the rabbits out of reach

ready for gutting, sharpen your

kindest knife.

The dark beats the light underground.

Driven into the landscape, a mass burial,

sunk patient and cold beneath Silbury Hill.

Skin the bunny rabbits,

bake a pie.

The first acorn, kicked by a boot,

gone rolling down the road. 

Chase it and keep it. A talisman

for the path ahead.

Make stone circles for the dead,

I let the living pass like rain.

Watch the slow green die to the bark –

strip the second blackberry harvest –

follow the kites as they surrender

to the turning wind like ribbons,

give up love, start fires, start walking,

up with the dawn,

waste no light.