Edward Burra: Never Tell Anybody Anything
In the end
I gave up on people, my layered clowns,
my boxers’ lips, my stroke-struck faces. Instead
I painted their standing gravestones, the long slicks
of their tracks across the landscape. Sometimes,
despite my best attempts, their limbs
would break the soil: the ricket
legs of pylons, the bloom of mouths
on the fronts of trucks, soft bones splitting
the taut skin of a grey snake river. Slowly,
while my hand thinned and dried around the brush,
I rendered down their bodies into great stones
whose roots leaked out into a silent
landscape.
Then there was only what
there had always been. The paint, the paper
laid out flat along the table. Hardboard
at the window, shuttering the populated view.
The water in the glass jar, darkening.
Edward Burra (1905-1976) was known for his vivid paintings of the 1920s and later cosmopolitan society. In later life his health confined him to painting in his room.
