Young Poets

Published here are some of the excellent poems we receive from our gifted young writers.

You can submit poems either by post (please enclose a stamped address envelope for reply), via our on-line portal, or by email to acumeneditor@gmail.com. Please mark the contents ‘Young Poet Submission’, put this in the subject line if you are submitting by email, and put your name, age and address on each page of the submitted document below your poems. We would prefer a word file for the submission please. 

Please submit no more than four poems. You should be aged between 16 and 25 years, the work should be unpublished. 

More information about submitting your poetry

Harry Ledgerwood

Harry Ledgerwood

Lighthouse

Where has it gone?

That little lighthouse on the horizon

twirling like a boyhood barber pole

where inside the men chat wares and ends,

odds and past fair plays of the weekend

before their hair thins further and falls

to be swept under a Persian rug

bought with a tourist’s haggle. I squint

to see deeper into the distance, nothing.

My buoy rocks. A still sea. I tend

to its growing rot, its fiery rust, its little lies,

slow bobs, fungal calm.

Finally, I see the light

flicker like a rolling eight ball –

dark and white,

shine and black and back

into the gutter

to wait for the next penny drop.

Halfways

It was a body dying

on the road, they said

cycling past. Not just

a body – at first

it was an ambulance

and a crowd come to

glance and some bikes.

Then it was a paramedic

puffing pulses into a chest

lest she should be able

to snatch the body from

the vice claw of death.

And I curved my head,

my sickle neck flicking

round a crowded bend

but could only see half

a body, half up to the end.

There is a bullring in Spain

carved into the edge of

an Andalusian mountain

like a pore or volcano’s ash

pushing puss into the air.

I remember I saw a man

painting the spectator’s steps

white, he was shining under

the arch as I stood at the step

and waited by a shrine

at the old entrance

where the matadors would

pray before Mary and the bull.

I left before I could see

the wearing steps completely

white. Seeing the ambulance whir,

a blur over tarmac streets,

I imagined the bull

shining his nose ring

and praying.

Kerby

To learn a thing or two about the indecision of memory

I tore a piece of pink petal from my skin & chomped down

on its already curling, yellowing edges. It tasted like rubber or

tarmac trodden upon by a boy racer’s car or a little like leather

from a deflated football from when we were boys, the days

when we would stand on either sides of the road and raise

our arms high above our heads, World Cup 2012 footballs in

our palms, eyes bricked upon the thin strip of concrete

at the opposite set of trainers, taking it in turns to throw,

waiting for one of us to land, to have the leather returned

to us & we could finally go home under streetlight moons.

Zelda Cahill-Patten

Zelda Cahill-Patten

Burial poem, for my ex

In the end you have a ship burial.

I lay out your body in a longboat’s prow

and fill the hull with everything you’ll need.

You are laid to rest on a bed of clean socks.

Ibuprofen, dental floss, dishwasher tablets:

all the things required in the next life.

Archaeologists will find your bicycle pump

and think it’s the hilt of a viking broadsword,

a dark lump misshapen by soil and time.

I lay down your speakers and your charity

shop CDs, your cigarettes and sunglasses.

I line up beer bottles like canopic jars.

Next I give you heirlooms. Your boat grave

is full of gravy boats, a great aunt’s hideous

porcelains, your baby shoes, your school notes.

I tuck grey hairs among the grave goods;

grant you old age, another girlfriend, a child, a cat.

I gift you hobbies: woodworking, cookery books.

As flames lap at the longship’s sides — waves of fire

slapping at the keel, heat running over your skin —

you are freed from one life, released to the next.

Walking Across the Atlantic

After Billy Collins

You’ve told me the story of your mum and dad:

how he walked from Cumbria to Scarborough,

to ask your mum to marry him. With plodding

devotion, he printed his love letter in mud. Yes,

she said. He’s yet to make the journey back.

I have no such story to tell our made-up child.

No. I didn’t cross the Atlantic. After you left,

I never slipped off my shoes and threw myself

from the end of the pier: bracing for cold,

then testing my weight on the buoyant swell.

It would have taken half a year at least,

those icy, faltering footsteps towards

America. Otherwise, I could have told our child

how the waves were soft against my soles.

How the crests copied shapes from home:

greyblue dales, whitecombed fells. Water

deep and desolate as peatland. I left no footprints.

Sea forgets, I’d say, where land remembers.

Bladderwrack

Day on day I’d harvest it

from the black rock,

never knowing it had

a name. I loved instead

its feeling on my skin —

wet and ridged and thick,

those fistfuls of sea-cysts, each

pustule glossy as an olive,

webbed like frogs’ toes into

one slick mass, which belched

when pinched. I pressed

the warts of salt-air

in my fingers and they

named themselves:

plerp    brop     plip      slarp

***

some have also called it:

popweed          bladderwrack

            sea oak            rock wrack

black tang        sea grape

            rockweed

and                  seawrack

and maybe others:

welt-bush         bubble-shrub

            boil-tang          blister-leaf

plerp-weed      brop-wrack

            slarp-grape       plip-oak

salt-names bursting

from between human lips

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