Young Poets

Published here are some of the excellent poems we receive from our gifted young writers.

You can submit poems either by post (please enclose a stamped address envelope for reply), via our on-line portal, or by email to acumeneditor@gmail.com. Please mark the contents ‘Young Poet Submission’, put this in the subject line if you are submitting by email, and put your name, age and address on each page of the submitted document below your poems. We would prefer a word file for the submission please. 

Please submit no more than four poems. You should be aged between 16 and 25 years, the work should be unpublished. 

More information about submitting your poetry

Sylvie Jane Lewis

Sylvie Jane Lewis

I Meet Your Friends at the Gallery Opening

and one asks how we met and the answer is Hinge, but I’m not sure

you want me saying so. Instead we have a back-and-forth of ums

and wells and he drops the question. We circle round displays

of plastic fruit, films of the sea projected on the walls, collages

of dogs in caravans, new-age hippy moon-gazing hares.

It’s the art of young people, it’s warm art, art unafraid to be

cute. Sometimes there’s something daring in being cute, lovely,

girlish. I think but don’t say this. A bad idea to share too many

thoughts with new people, too many chances to be trapped.

With mild regret I purchase several overpriced flutes of white,

stand around in circular groups while people who already know

each other do the talking. We’ve only met a few times. You hold

my hand and ask what I think of it all. I tell you that each time

we loop around, I’m scared I’ll knock the fruit down with my bag.

The Lady and the Unicorn

We saw it in Paris, an escape from the derelict Airbnb plastered

with signs warning of rats and lead paint. A mistake to book it

without scrolling to the one-star reviews, really. On one such

excursion, we found ourselves in a shadow-room of tapestry,

one taking up each wall, named after touch, smell and desire.

The robed woman and her horned companion at the centre

delighted in earthly pleasures of birdsong, perfume, mirrors.

In the background, various creatures floated without place or

dimension: dog, lamb, rabbits cleaning their paws, white as

a hare’s stomach, faultless among a thousand woven flowers.

With her falconer’s glove, the lady waited for wildness to find her.

We sat in the dark, studying the details, wondered where we’d next

bide time before braving the crumbling apartment again,

those sights and sounds and scents of earthly displeasure.

The Difficulty of Hare-Watching

Once you’ve found her

she’s gone

in a cartoon cloud

of smoke, her feet

conjuring dust

with a skedaddle

sound effect. Like that,

she becomes the space

that is not a hare.

Once you’ve found her,

she’s gone.

Painting a Blue Hare

and considering Picasso, who took time

between preying on teen girls

to capture the world’s sorrows,

poor widows and addicts.

My hare lives in different depths of

blue, her startled eye a rock pool,

her variations of fur a tumbling field.

My hare too is mournful, in her case

mourning what life could have been

if she were free to sit un-preyed upon.

Scarlett Smith

Scarlett Smith

Silence

Cocaine-tipped

tragedy

carved with gold-

plated

powder,

sniffing dandruff 

like the sun

cracks

for

her.

Addicted to the lies.

Eaten by mice

and Trojan skies.

Bereft of belief.

Delightful

yellowing

teeth.

Fire-torn creature.

The child with bruised eyes.

His

cadmium

concubine.

Soon to be

slaughtered

by substance.

By silence.

Severed

tongue

but

her mouth’s

a river.

No mother.

Now watch

the demise

of his

cracked-

lipped

concubine.

Fists

Six eagles’ feet

and hands upon hands surround my lungs.

This is the birth of a punished son

who only wanted love.

The earth is an unknown bed.

Fire is

resurrection

is my mother peeling oranges again.

Fire is

hope

again.

The price of flesh

is a river of blood.

The price of fire is every boy pointing at my liver and running home to his

father,

crying.

I want you to know what it means to be the mouse in the house of eagles.

I want you to know what it means to perceive father and receive claws.

So that when the earth is

hope

again

it can heal my gutteral scars.

Six eagles feet

and hands upon hands surround my lungs.

There’s nowhere to run

when father is tearing your bed sheets

and mother is peeling your tongue.

There is

pain.

There was always going to be pain.

Pain of asking for love

and getting fists.

My Ribs (Like Knives)

We are born

with knives for fingers.

A cycle of violence

starting with dinner, ending with table.

Orestes,

brother,

there are no words I won’t speak to save you.

(No bodies I won’t burn to keep you alive.)

Find the forest to escape.

The path

a convoluted vein.

A path that promises grief

and drawn blades.

Run, brother.

The trees that rooted us

want to kill us.

I count the grapes.

I count my ribs.

My fig drips purple juice; the family’s curse.

(One truth I am certain of: dinner eats me.)

The past has its claws in me.

This skeleton gnawed by hope

for sunrise. For mother’s arms.

(Sorry for staying quiet for so long.)

The past has its claws in me.

His hands: Troy’s finest forks.

His corpse: a wrinkled grape.

(Sorry for not saving Him from the knives.)

Revenge is the call to dinner.

It is too late for Him now but

I’ll tie her hands with ropes.

See what her corpse makes of

my retching throat.

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