Guest Poems
We love to read your poetry and, even though we receive over 1,000 poems per month, we always take time to read every single one.
A few of the poems we especially enjoyed and which were selected for publication in our Journal are reprinted below.
For more information, please see our Submissions page.
Guest Poems
Neil Beardmore
Cave Paintings, Onuke Kundi,
Near Hampi, India
Boulders of granite tossed in
tumbling piles around a flat oasis
of date palms hold the plateau
safe from intrusion.
Camouflaged by the earth’s ochre,
a bulge of rock with deer,
where men, no longer sticks with sticks,
come to shape with spears,
hunt across granite.
The curl of the human form
troubles insurgent shapes
in a chaos of creative surge,
figure over figure, life coming up from life
on boulders smoothed by sun,
where stories are thrown back.
The impulse to endure and command the life-force
from within and survive its incoherence,
the errors of time, pain of life,
drawn as mirrors to existence,
painted up.
We live. Art says so.
Outlives our bones.
Kathryn Kimball
The Ghost Magnolia
in commemoration of the opening of the National Memorial for
Peace and Justice, Montgomery, Alabama, April 2018
Give me a ladder to climb
the ghost magnolia
on the corner of Pleasant Avenue
to sit there with the sweet fragrance
of the foot-wide blossoms so lemony sweet
I forget to breathe.
No. No ladder. No nostalgia for
the South of my childhood
where I was shaped in ignorance
of what could be done with trees.
No regret for the white flower patriarch
felled fifty years ago.
My sorrow is needed elsewhere.
Let the treeless lot be what it is now –
parking space for visitors to reckon with
800 rusting steel columns
hanging from the museum’s roof,
in memory of all those
who could not breathe.
More Guest Poems
Ali Blythe
Still, still So being in loveis a lake. The worldturns upside down. We shatter itwhen we dive in. How darkit had to become. To see the unnumberedsparks on each shook swell. To feel their goldhooks fixed in us.
Christine Tainsh
Magritte The surreal was always problematic,shape-shifting and strangelike a helium balloonthrough melted stratospheresand haunting melodies stuck on a soft grooveand always lilting and lifting beyond itbut the artist chose itfor someone always has to bereaching above...
John Arnold
Footnotes My sock, turned inside outamong the laundry –woolly pile, soft to touch. So this is what my feet see,feel, as they walk my ways;then, pressure off, relax as I sit: nothing to concern them,no worries over money or relationships;cocooned from a harsh cold...
Stuart Handysides
You might think we would talk after Absent in the Spring. Mary Westmacott (Agatha Christie) A desert station home for several daysno view to speak of, only space our books already read, no outside worldno view to speak of, only space. One day the train will just...
B. Anne Adriaens
Pietà, inverted I meet you halfwayacross the wasteland of your mindto find you plonked on the ground,drawing circles in the dust.I sit down behind you,wrap myself around your frame,so small I could doubtyou gave birth to me – you,this shell I’m holding and rocking...
Graham Mort
Talking to a Spider in the Bath(January, 2022) There you are in the corner of my eyescurrying sideways a black atom, a stain against enamela venomous intruder or is that me, stepping into theshower’s caul of steam? I notice how careful we areof each other a kind of...
Regi Claire
When it is Time The beeches were the last to leave. Too stately maybeor too full of themselves they stayed on, blazed morefiercely copper in the sun, soaked up dusk until they inkedto darkness. Then they threw their arms around the stars,called them theirs, their one...
Christopher M James
Traces Isaan, the vast rice-growing plateau in north-east Thailand Endless paddiesstencil the land, enmesh the living.Their waters smudge a setting sun’s inks. A handhas wiped leftover pigmentson a cloth of sky. A motorcyclescratches the landfor epidermic dust,...
Nicola Warwick
Launching the Moon Does it really take two hands to toss it skywards? You’d think it could be done in the space of an owl’s blink, but you’re wrong. You cup this glossy thing, roll it over and over in your palm, hold it to the light and it’s a crystal ball crammed...
Robert Stein
Finis This is it: the final leaving,The stars loitering and out of luck.The dice ceased rolling. All numbers up. This is the gone at the end of going,The rotted apple after knowing.The box nailed. The straw. The shut. The trap tripped, sprung through and up.The...
Frances Sackett
Free Spirit Bordering the road,but theatrical, the wayit looked like someonehad planted a gardenrich in wildness. A rocky outcropwith ragwort and willowherb,vetch and wild thyme –the hills beyond mantled with sun. I scatter you here,watch as a wisp of smokelifts along...
Sue Spiers
Jealous of the Listening Air She tells me her deafness is more complete,no sound penetrates her ears, masks are difficulties. Imperfect silence of devices switched off but stilloutside chunters; car engines, birdsong, the wind. Conversation in another room with no...
Douglas Cole
The Lighthouse Keeper In this season he knowswe are smaller than wind,as the storm blast singsthrough the boarded glass. He opens his doorto the sting and stab of rain,making his way as he leansunder the arc-lamp light. In the radio house he listensto distress codes a...
Cathra Kelliher
we sat holding the lamb we sat holding the lambRichard and Ithe field soft about uscold coming on below the ash treesand the farm buildingssilent as flint through the arrow slits how slight it wasand how meagre the pullof its miniature mouth on my fingera smear of...
Anthony Lawrence
The Moonlit Lakes of John Atkinson Grimshaw have all the hallmarks of ice, when seen througha hawthorn hedge or drystone wall,and you’d be forgiven, the way a witness,driven to description, not of a man,but of animals on the surface of the moon,is forgiven for seeing...