Guest Poems

We love to read your poetry and, even though we receive over 1,000 poems per month, we always take time to read every single one.

A few of the poems we especially enjoyed and which were selected for publication in our Journal are reprinted below.

For more information, please see our Submissions page.

Guest Poems

Carolyn McCurdie

Carolyn McCurdie

To Cleave

This morning a sheer, immaculate sky
was bisected horizon to horizon
by interlacing white and blue threads of a cloud formation,
delicate, curling filaments, intricate weavings
that bound east to west. And held their breath.

I stood at my back door, thinking feather, then quill.
I tried to find some image to hold the loveliness in my mind
and noticed, in this search for words, a clunk of loss.
I looked for thickness, a spine in the feather,
a sharpness of the quill that I could name as nib.
It was sort of a game, but to win was to miss.

As if I’d been shown a poem in unfamiliar, lyrical script
whose mystery might have dusted my skin, my lips, like pollen drift,
and invited some tongue of wordlessness to rise, to sip.
But quick, with a neat sticky label, I’d grabbed. To own.
To keep. A sort of self-caging. Offered a sky alive with
the possible wild, the infinite strange, I’d looked for a nib,
found only an ink-flick of grief.

A crick in my neck. Obtuseness sour in my gut.
I breathed in, breathed out.
When I looked up, the cloud had loosened,
tendrils unlooping, its coherence becoming unnameable open,
unnameable new.
And this. A cloud poem shifting, finding something less certain.
About stillness at my back door? Smallness? Perhaps about staying.

Daljit Nagra

Daljit Nagra

parka

your brother’s made friends with two boys down the road
who are your own background
with their parents from the villages in Punjab

they’re in his year and they’ve been mixing languages
till they giggle their heads off
slipping from rugged London to farmer’s Punjabi

sat sri akal mate – how’s yor old man, mate
he’s all teek – thanks for aaskin dohst

they’ve invented a new speak and you’re in awe
cos you won’t mix suitcases like that with Nigel

your dad, a champion wrestler destined
for the Olympics – except it was amateur stuff,
was told to come over here
for the Sterling slog in Bison’s concrete factory

he’s always at work early and back late
overtime either end and at home half-cut

he’s not gone yet and loiters in his work boots
then empties two raw eggs in two glasses each
and makes you both swallow them down

when you gag, he says you’re both koories, girls

he stands over your brother, who’s older than you
by two years, and says that he’s not to walk
with those boys anymore, one’s a carpenter
caste and the other’s from the cobblers

he won’t have word getting out that juts, landowners
are mixing with riffraff

so when they knock for your brother
the shoulders of your dad narrow the frame

as he tells those ten year olds not to mix with his son

their tiny heads shiver in the hoods of their parkas

everyone knows your dad’s the best arm wrestler
in the factories – they help their own dads
by not walking with your brother again

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Alison Chisholm

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Alexander Peplow

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Anne Stewart

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Gareth Culshaw

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Wendy French

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Elizabeth Barton

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Roger Harvey

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Peter Sutton

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A. C. Clarke

Crossing the language divide We commit to speech as we do to a bridgein the faith it will bring us to the further shorewithout cracking, in the faiththe further shore is where we want to be.What if our words shape themselves differentlyin the listener’s ear, distorted...

Charlene Langfur

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